videospritz | transitland. video art from central and eastern europe 1989-2009
16 - 20 October 2010
16 October 2010, 17:30
Trieste, auditorium Museo Revoltella, via Diaz 27
Presentation of the project ‘Transitland. Video Art from Central and Eastern Europe 1989–2009’, presentation of the ‘Transitland’ reader and screening of a selection of videos from the exhibition ‘...on the eastern front. Video art from central and eastern europe 1989–2009’, held March 2010 at the Ludwig Museum Budapest. Curators - Rita Kálmán and Tijana Stepanovic (ACAX/Ludwig Museum Budapest.
17 October 2010, 17:00
Trieste, Studio Tommaseo, via del Monte 2/1
first session, total lenght of screenings 4h, 2’ 85’’
Kevin McCoy, Berlin, Capital of the DD R, 1989-92, 6’ 46’’
Mariana Vassileva, Journal, 1990-2005, 12’
Gusztáv Hámos, 1989–The Real Power of TV, 1991, 59’
András Sólyom, Funeral, 1992, 7’
Ivan Ladislav Galeta, Letter (Dear Zoltán...), 1992, 4’
Gintaras Šeputis, Black–White, 1992, 4’ 18’’
Harun Farocki, Andrei Ujica, Videograms of a Revolution, 1992, 107’
subREAL, Draculaland 3, 1993, 13’
Anna Janczyszyn-Jaros, In The City, 1994, 22’ 32’’
Association Apsolutno, Absolutely Dead, 1995, 7’ 15’’
Egon Bunne, Everything Changes, 1990, 7’ 45’’
Marina Gržinic, Aina Šmid, Bilocation, 1990, 12’ 6’’
Marko Kovacic, No More Heroes Any More, 1992, 18’ 15’’
Vadim Yuryevich Koshkin, Fucking Electricity/Currents of Death,1993, 4’ 25’’
Mirko Simic, Out of Memory, 1994, 5’ 7’’
Sergey Shutov, Amazing, How Silently It Is–II , 1994, 4’ 9’’
Mike Stubbs, Ulf Langheinrich, Gift, 1995, 14’
Jasmila Žbanic, After, After 1, 1997, 16’
18 October 2010, 17:00
Trieste, Studio Tommaseo, via del Monte 2/1
second session, total lenght of screenings 4h, 17’ 2’’
Michaela Pavlátová, Repeat, 1995, 9’
Žaneta Vangeli, A Documentary Film about Vladimir Antonov, 1995, 6’ 35’’
Rassim, Corrections, 1996, 6’
Marina Gržinic, Aina Šmid, Post-Socialism+Retroavantgarde+IRWIN, 1997, 22’ 5’’
Kai Kaljo, Loser, 1997, 1’ 24’’
Nebojša Šeric Shoba, Shovel, 1997, 4’ 34’’
Hito Steyerl, The Empty Centre, 1998, 62’
Gentian Shkurti, Alice in Wonderland, 1998, 3’ 33’’
Milica Tomic, I am Milica Tomic, 1998-99, 9’ 58’’
Dan Mihaltianu, La révolution dans le boudoir, 1999, 22’ 54’’
Mare Tralla, Feltboots, 2000, 3’ 10’’
Radek Community + Dmitry Gutov, Demonstration, 2000, 8’
Ivan Moudov, Traffic Control, 2001, 5’ 59’’
Sona Abgaryan, Untitled, 2001, 4’ 44’’
Elena Kovylina, Waltz, 2001, 10’
Szabolcs KissPál, Rever (Anthem), 2001, 5’ 10’’
Vladimir Nikolic, Rhythm, 2001, 10’ 45’’
Tanja Ostojic, CrossingOver, 2001, 7’
Martinš Ratniks, Independence Day 18, 2001, 4’
Krišs Salmanis, Daiga Krüze, Historia, 2001, 3’ 33’’
János Sugár, Typewriter of the Illiterate, 2001, 7’ 30’’
Yury Vassiliev, Russian Red, 2001, 2’ 32’’
Natalija Vujoševic, Pink Confession, 2001, 4’ 20’’
Dan Acostioaei, Essential Current Affairs, 3’ 16’’
Pavel Braila, Shoes for Europe, 2002, 26’
Hajnal Németh, Striptease or not?, 2002, 3’
Anri Sala, Intervista, 1998, 26’
Boryana Rossa, The Moon and the Sunshine, 2000, 6’ 6’’
Józef Robakowski, From My Window 1978-1999, 2000,20’
Azorro SuperGroup, Everything has been done I, 2003, 11’ 26’’
Maia Sumbadze, Nika Machaidze, xvz, 2003, 12’ 24’’
19 October 2010, 17:00
Trieste, Studio Tommaseo, via del Monte 2/1
third session, total lenght of screenings 4h, 10’ 33’’
kuda.org, Safe Distance, 2002, 21’
Krassimir Terziev, On the BG Track.03, 2002, 6’ 57’’
Eva Filova, Pro Choice, 2003, 2’ 3’’
Calin Dan, Sample City, 2003, 11’ 29’’
Szabolcs KissPál, Edging, 2003, 3’
Egle Rakauskaite a/k/a RAKE, My America, 2003, 12’
Martin Zet, Red Daddy, 2003, 5’ 14’’
Kaspars Goba, Seda: People of the Marsh, 2004, 52’
Tigran Khachatryan, Stalker, 2004, 12’ 33’’
Adrian Paci, Turn On, 2004, 3’ 30’’
Damir Nikšic, If I Wasn’t Muslim, 2004, 7’ 08’’
Krassimir Terziev, A Place (Playground), 2004, 12’ 6’’
Sophia Tabatadze, Self-Interview as Eastern and Western Europe, 2004, 11’
Oleg Mavromatti, The Last Valve, 2004, 4’ 33’’
Rudina Xhaferi, So Good to be an Albanian, 2004, 5’ 10’’
Renata Poljak, Great Expectations, 2005, 17’
Lala Rašcic, The Invisibles, 2005, 31’
REINIGUNGSGESELLSCHAFT, The City Of Cool–Renaming Streets of Leipzig, 2005, 9’ 57’’
Stefan Rusu, Jeres, 2005, 4’ 53’’
Artur Zmijewski, A Dream of Warsaw, 2005, 18’
Goran Devic, Imported Crows, 2004, 22’
David Maljkovic, Scene for New Heritage, 2004-06, 4’ 33’’
Hristina Ivanoska, Naming of the Bridge: Rosa Plaveva and Nakie Bajram, 2006, 13’ 8’’
Yael Bartana, Mary Koszmary, 2007, 10’ 50’’
Oskar Dawicki, Budget Story, 2007, 9’ 27’’
Csaba Nemes, Remake, 2007, 25’ 48’’
Aliaksei Tserakhau, Lyapis Trubetskoy-Capital, 2007, 3’17’’
20 October 2010, 17:00
Trieste, Studio Tommaseo, via del Monte 2/1
fourth session, total lenght of screenings 4h, 17’ 3’’
Zbynek Baladrán, Socio-Fiction, 2005, 6’ 46’’
Gordana Andjelic-Galic, Mantra, 2006, 5’ 12’’
Pavel Braila, Eurolines Catering or Homesick Cuisine, 2006, 17’
Andreas Fogarasi, A Machine for, 2006, 8’
Khinkali Juice, Georgian National Anthem, 2006, 1’ 34’’
Aleksander Komarov, See you in Disneyland, 2006, 13’
Adrian Paci, Per Speculum, 2006, 6’ 35’’
Diana Hakobyan, Untitled, 2007, 8’ 13’’
Adela Jušic, The Sniper, 2007, 4’ 11’’
Šejla Kameric, What do I know, 2007, 15’
Kristina Norman, Monolith, 2007, 14’ 58’’
Nadia Tsulukidze, XXI, 2007, 11’ 13’’
Artur Zmijewski, Them, 2007, 26’ 26’’
Mark Brogan, In a Remote Corner of Europe, 2008, 6’34’’
Chto delat, Perestroika Songspiel. The Victory over the Coup, 2008, 26’ 30’’
Ana Hušman, Lunch, 2008, 17’ 20’’
Joanne Richardson, In Transit, 2008, 30’
Simon Chang, Praha Erotica, 2009, 5’ 1’’
Ivan Jurica, 1989-2009: Look Back! Boys from Town Healing the Grief of Beautiful Girls, 2009, 18’ 20’’
Eléonore de Montesquiou, Naine (A Woman), 2009, 15’10’’
István Kántor, (The Never Ending) Operetta, 2008, 35’
Aleksandar Spasoski, Voyeur, 2008, 5’ 20’’
Ruslana Kojouharova, Georgi Ivanov, The Lost Surplus Value, 2009, 41’
Little Warsaw, Game of Changes/Episodes 1-2, 2009, 3’ 24’’ + 3’ 24’’
The screening event in Trieste is realized by the Trieste Contemporanea Committee in the frame of the 2010 Videospritz exhibition, in collaboration with Continental Breakfast Project, Revoltella Museum, L'Officina, Studio Tommaseo and with the participation of the Casa dell'Arte of Trieste. It avails itself of the support of the Regione Friuli Venezia Giulia, of the Provincia of Trieste and of the Comune di Trieste - Assessorato alla Cultura.
